Randy Rhoads
Ozzy Osbourne / Quiet Riot
Randy Rhoads was a classically trained guitarist whose brief but brilliant career with Ozzy Osbourne redefined heavy metal guitar. His fusion of Bach-influenced compositions with hard rock aggression on 'Blizzard of Ozz' and 'Diary of a Madman' established a new vocabulary for metal guitarists. His iconic polka dot Flying V, Marshall stack, and meticulous technique continue to inspire players decades after his tragic passing in 1982.
SIGNATURE TONE
Bright, aggressive, and classically articulate. Altec 417-8H speakers provide upper midrange bite essential for pinch harmonics. Marshall 1959 Super Lead with cascade gain modification delivers smooth saturation at lower volumes via Variac (90-92V). MXR Distortion+ always on for compression and sustain, paired with 10-band EQ boosting 500Hz for cut. Double-tracked rhythms in studio, simulated live with Roland Space Echo. GHS Boomers .010-.046 or .011-.050 strings for definition and attack.
SIGNAL CHAINS BY ERA
Explore how the rig evolved over time
Quiet Riot Era (1975-1979)
Formative years on the Los Angeles Sunset Strip where Rhoads developed his teaching style and classical-influenced approach. Used Gibson Les Paul Custom through Peavey amplification with Altec speakers that established his signature brightness.
Blizzard of Ozz Era (1980-1981)
Breakthrough album with Ozzy Osbourne featuring 'Crazy Train' and 'Mr. Crowley'. Introduced the Karl Sandoval polka dot Flying V and Jackson Concorde prototypes. The MXR pedalboard (Chip Pan) and Marshall cascade mod defined the era's aggressive yet articulate tone.
Diary of a Madman Era (1981-1982)
Final recordings showcasing refined technique and heavier string gauges. Album tuned down a half-step for Ozzy's vocals. Added Roland Space Echo for live double-tracking simulation. Jackson V guitars became primary instruments.